The World Goodwill Seminars in London, Geneva, and New York explored the theme: From the Unreal to the Real. The meetings contained some deep reflections on the nature and importance of truth in four main areas: journalism/media, education, science, and art.
This body of work was my means of coming back to Life, emerging in a new way, transformed by my own shadow and light, and by the shadow of what our human activities are doing to the planet, the evolution by chance of the past, and the light of our enormous potential to choose conscious evolution and a new story today and every day.
Kosmos Journal | In 2015, your team produced 50 Feet from Syria, a film focused on the civilian impact of the Syrian conflict. Your new film, Lifeboat, bears witness to refugees desperate enough to risk their lives in rubber boats leaving Libya. What was different for you personally about making those two films?
The idea for this project arose from a common belief that music has the power to break down boundaries and overcome distances between people. No matter whether people come from different geographic, political, economic, spiritual or ideological backgrounds, music had the universal power to transcend and unite us as one human race. And with this truth firmly fixed in our minds, we set out to share it with the world.
My identity and my life as an activist has a very specific energy that people associate me with. In many parts of my life, I saw it as definitely putting me in a box in the way people saw me and my story. People didn’t understand the complexity and diversity of what I was fighting for or the way I wanted to use my voice to influence change.
Alanis Obomsawin is a member of the Abenaki Nation and one of Canada's foremost activist documentary filmmakers. Obomsawin began her artistic life as a singer-songwriter in the 1960s, as indigenous artists from across North America were rallying in new assertions of cultural identity, consciousness, and political rights, calling for reckonings with oppressive colonial history.
Simultaneously noir and pastoral, gothic and modern, Big Lazy conjures images of everything from big sky country to seedy back rooms.
The Pros and Cons Program in Canada mentors inmates in a music program that focuses on rehabilitation and restorative justice. The program was founded by Hugh Christopher Brown. He and the inmates write, arrange and record songs entirely within the confines of the prison walls.
Music Editor's Note: This is an effort of many hands and hearts - our first ever Kosmos music compilation. We are so grateful to the artists who make this music and thankful that we have your voices in Kosmos and…