Kari Auerbach

“We all have our own subjective beliefs in the band, but the music unifies us regardless. There are certainly moments when we are playing together when I feel genuine elevation, a sense of ecstasy, and a deep feeling of connectivity. That’s magical and it’s a joy to experience. That’s the edge, not found in practice, but always sought in performance. Sometimes it happens, but you can’t force it. You just have to stay open to the possibility.”

The idea for this project arose from a common belief that music has the power to break down boundaries and overcome distances between people. No matter whether people come from different geographic, political, economic, spiritual or ideological backgrounds, music had the universal power to transcend and unite us as one human race. And with this truth firmly fixed in our minds, we set out to share it with the world.

Alanis Obomsawin is a member of the Abenaki Nation and one of Canada’s foremost activist documentary filmmakers. Obomsawin began her artistic life as a singer-songwriter in the 1960s, as indigenous artists from across North America were rallying in new assertions of cultural identity, consciousness, and political rights, calling for reckonings with oppressive colonial history.

Simultaneously noir and pastoral, gothic and modern, Big Lazy conjures images of everything from big sky country to seedy back rooms.

Oh Quiet World is a prayer for the world written during the time when everything stood still a while. The whole album plays like a prayer, beginning with the call to “wake up in the early light,” and ending with the word, “amen.”

The EUO was deeply inspired by the work Pierre Teilhard de Chardin, Thomas Berry, Brian Swimme, and Mary Evelyn Tucker and John Grim from the Forum on Religion and Ecology at Yale University. These seminal thinkers have endeavored to lead us to a new understanding of the place of humans in the Universe.